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How to Use Your Flash Effectively for Portraits (Part 3 of 5) – by MCP Guest Blogger Matthew Kees

How to Use Your Flash Effectively by Matthew L Kees, guest to the MCP Actions Blog

Matthew Kees, Director of MLKstudios.com Online Photography Course [MOPC]

Outdoor TTL Flash (“everything and the sync…”)

 

Outdoors, in daylight, you are using the flash as a fill light and not the main light or key like you do indoors.

 

Your exposure should always be based on the brightness of your key light (in this instance the sun), so you’ll need to first set the exposure for it. Also, you need to be aware of your camera’s “sync” speed. For most Canon cameras it is 1/200 or 1/250. For Nikon it can go as high as 1/500.  If you don’t know what your camera’s sync speed is, you’ll need to look up X-sync in your camera’s owner’s manual, or online.

 

The sync speed is simply the fastest shutter speed you can use with a normal flash pulse.  There is another flash mode that allows you to go above sync described below.

 

Since the shutter speed is a limiting factor to the exposure, you need to be thinking in Shutter Speed priority mode (even though you will be shooting with your camera in Manual exposure mode). To keep the shutter speed at, or below sync in bright light, use the lowest ISO setting your camera has — typically 100 or 200. This will give you an exposure with the largest aperture that is possible. If needed you can lower the shutter speed, which will require a smaller aperture, to get more depth of field.  But in normal flash mode, never go above the camera’s “sync”.

 

Your steps so far are:

 

1. Choose the lowest ISO setting

2. Set the shutter speed to the camera’s sync speed (1/200 to 1/500 depending on camera make and model)

3. Adjust the aperture for the light (use normal in-camera metering)

4. If more Depth of Field is required, lower the shutter speed and reset the ap

 

Then you simply turn on the flash to add a fill. In TTL mode you adjust the flash output to taste by using the flash’s EV control — plus for more and minus for less. When you have plenty of light in the scene, it is a good time to use Nikon’s TTL-BL setting (BL stands for Balanced Lighting). It tries to blend the fill with the available light, and hence, it lowers the flash output.  With Canon cameras you simply need to lower the EV.

 

Once you have that down, you can now control the two exposures separately. The built-in meter gives you the background exposure and the flash setting gives you the foreground exposure. So, try darkening the background by slightly underexposing, and adjusting the foreground light (the flash exposure or FEC) up and down as well.

 

With practice, you will have complete control of how much fill you want plus how light or dark you like the background.

 

In low exterior light, you simply turn the flash on and let the flash in TTL mode handle the exposure for you.  It again becomes the key light, and you use a slow shutter to grab some ambient light the same as you learned using the flash indoors.

 

In bright light when you really need a shallow Depth of Field and are using flash for “fill”, you will have to use High Speed sync mode.  Nikon and Olympus call it Focal Plane (FP) sync mode, because it allows the use of a “focal plane” shutter found in Single Lens Reflex (SLR) type cameras.  If you have a modern digital camera, like the Canon XSi or XTi, or a Nikon D90, it’s often called a DSLR for Digital Single Lens Reflex.

 

In HS or FP sync mode the flash produces a series of very quick blinks of light to mimic daylight.  It accomplishes this by eating up your battery power.  Also, it is only useful when used close-in since no single bright burst of light is produced.  FP sync mode was another Olympus invention made available on their OM-2 camera and flash system.

 

You are probably now wondering what would happen if you set your camera above the sync speed in normal flash “pulse” mode.  Well, it won’t harm the camera.  But, you’ll see a dark edge in an indoor studio shoot, and in bright light outdoors using flash as a fill, the fill light won’t cover the entire frame.  Technically, at any shutter speed above sync the two curtains that open and close to let the light reach the sensor, are never completely open.  The second curtain trails the first as it moves across the sensor.

 

There are many ways to use a flash to make interesting lighting. Again, this is but a simplified quick start tutorial of certain things you need to consider when shooting outdoors with a flash.

 

 

 

 How to Use Your Flash Effectively for Portraits (Part 3 of 5)   by MCP Guest Blogger Matthew Kees

Jodi Friedman, MCP Actions

Jodi Friedman is the founder of MCP Actions. She designs popular Photoshop actions and Lightroom presets that make editing faster, easier and more fun.

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10 Comments

  1. 1
    Shannon says:

    Thanks for the great information.

  2. 2
    Jennie says:

    Wow. I think I need to read this post over and over and over, etc. That’s a lot to take in. Thanks for sharing!

  3. 3
    JodieM says:

    Wonderful info. Thank you for explaining it so well. Now I need to go practice.

  4. 4
    Silvina says:

    Great info! Jodi, i can’t find the parts 1 and 2 of this tutorials…..where are they? Thanks.

  5. 5
    Silvina says:

    Nevermind, i just found them :) Thank you!!

  6. 6
    NiccoleCarol says:

    Sonia your work is exceptional. I really love the hazed over ones. I have Cs3, and would absolute use the heck out of these actions.

  7. 7
    Adalia says:

    Beautiful work. Thanks for the explanation.
    I have CS3, may get LR eventually…

  8. 8
    Teresa says:

    I am a CS3 and Lightroom 2 girl over here. These images are stunning. Thank you for explaining how to use the light the way you did, I think something clicked for the first time when I read it. I am printing this off and practicing today!

  9. 9

    Thanks…that was really simple to follow. I’ve was always taught to put the same exposure on the subject for fill, as on the background…is that a rule of thumb? I’ve often wondered if it was followed by anyone other than my high school teacher!

  10. 10
    shing says:

    so, assuming that you aim the speedlight right at your subjects, how does one avoid getting those pinlights? that seems to be my problem. I’m new at this, so please tell me what i can do to change it. thanks!

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