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Post Processing Senior Style with Sandi Bradshaw

Free Photoshop Actions and Lightroom Presets by MCP™

Post Processing Senior Style with Sandi Bradshaw

Sandi Bradshaw is back this week to show you some of her tricks and tips for post processing.  Then tomorrow I will use her SOOC shot and show you a few plays of my own in the Friday Blueprint.  And next week I will have a tutorial showing how to add fake sky where there is a blown out sky.  So check back for these two follow up posts.

Post Processing (Senior Style)

It’s been a few weeks since I’ve done a guest blog post here at MCP Actions, but I hope that this post is worth the wait! My schedule has been a little frantic the past few weeks, but now that things have slowed to normal pace I have been able to put together a post processing tutorial that I hope will give you some new PS tools to play with as well as give you some new tips to take your processing up a notch or two. I’ve chosen a very average image, with some obvious problems to work on because I believe that it will be the most helpful for showing several different processing techniques all in one image.

1

The image has potential, but there are some very obvious problems initially. It is underexposed a bit, it is flat in color and tone, and there is a very strong yellow/orange cast over the whole image partially due to the time of day it was shot and partially due to the underexposure. So, let’s get started…

2

The first thing I’m going to do is open up the shadows on my subject by lasso selecting her at about 200px and bringing up my midtone curves as shown. On your image you will need to play around with the curve a bit to find the spot where you are happy with the amount of detail remaining in the shadows as well as the amount of overall brightness in the midtones. Once I’ve completed this step I flatten my image and duplicate my layer (command + J).

3

Next I’m going to create a Hue Saturation adjustment layer to bring down the yellows and reds. My settings for the yellows are above…the reds only needed a minor de-saturation adjustment on the slider.

4

Once I’ve clicked “OK”, I am going to invert my layer mask and then paint back in the areas of her skin where I want the adjustment layer to show through at 100% opacity as shown above. Then I will once again flatten and duplicate my background layer.

5

The duplicated layer is going to become my multiply blend mode layer by selecting multiply from the drop down menu in the layers palette. This will initially create a very dark image (try it). At that point I will create another layer mask and invert it so that my multiply layer is not showing at all. I want to selectively color in my multiply blend mode layer at 15-20% opacity and the layer mask will allow me to do that. Selectively adding in the multiply layer will give your image more depth and contrast, but in a controlled way…as shown above.

6

Flatten / Duplicate Background layer.

My next step is to add some color vibrancy on the top layer by selectively using the saturation brush at around 15-20% opacity. I’ve saturated her clothing, the grass a bit, and the edges of the wagon.

7

Flatten / Duplicate Background Layer.

At this point I am going to reduce the yellows in her skin a bit more because I feel like there is still a stronger overtone of yellow in her skin than I like. Your image may not require additional skin work, but be mindful of the skin tones as you process your work…they can change and shift as you apply different techniques.

8

Flatten / Duplicate Background Layer.

I’m not happy with the overall brightness of my image at this point…so I’m going to again bring up the midtone curves with a curves adjustment layer. This also helps to make the colors “pop” a bit more.

9

Flatten / Duplicate Background Layer.

Doing that last curves adjustment has created some unwanted reds in the shadows of my subject’s skin tones (a common problem), so I am going to use the desaturation brush set to around 10% opacity to brush the areas where the red is too strong. In this image I desaturated her neck, the tips of her fingers, and around her hairline.

12

Flatten / Duplicate Background Layer.

At this point it’s time to sharpen my image if needed. I run my sharpening method on my top layer.

Here is a side-by-side comparison of the before and after.

Then…with a little more fine-tuning and your own creativity you can finish it up by adding your own unique style into the image!

I didn’t have time to go back and answer questions this time…but, if there are questions from this post then I will either answer a few in the next post on Viral Marketing or I will see about answering a few in a separate post.

I’ve also received several emails inquiring about future workshops in addition to the Phoenix FOCUS Photography Workshop August 14th & 15th (there is ONE spot remaining for the August workshop). And, although I had not planned to do any others before the end of the year…the plans have changed a bit!

Thanks again for having me Jodi!

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22 Comments

  1. June 20, 2009 at 2:04 pm —

    Sandi, wonderful tutorial. Loved the multiply/mask tip. Have already tried, and really love it. Thanks so much for sharing.

  2. August 2, 2009 at 4:47 pm —

    Thank you for this good Tutorial

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Post Processing Senior Style with Sandi Bradshaw