Sun Flare can be beautiful. If done intentionally, it can add to the art of a picture. Have you ever wished you could make the sun look like this? It even makes the Detroit Jail above, look pretty and inviting (well almost). Sun flare, once you learn how to achieve it, is fun and very addictive!
Here are 10 easy to follow tips to help you achieve sun burst defined “star-like” style sun flare.
- Start with clear day. A few clouds can be around, but the sun itself works best against a vibrant blue sky.
- Shoot in Manual Mode! You need control.
- 1st set your speed, likely to be ISO 100 but if near sunset may be ISO 200-400. Then set your aperture between f16-f22. Sun flare can be achieved when opened up more but the more “wide open” your lens, the less definition you will get. If you shoot with wider apetures, you may get Lens Flare and that hazy look, but not the crisp star burst effect.
- Lastly set your shutter speed. You will need to vary this setting quite a bit depending what you want to preserve (sky or subject). I often split the difference and try to retain some blue sky (light) while not completely underexposing my subject. The exposure I can then adjust in Lightroom or Photoshop.
- If you are having trouble getting the sky and subject exposed properly, you can either use fill flash or reflector if the subject is close. If the “subject” is a building or anything else and is far away, you likely will want to take two exposures back to back. Take one exposing for the sky and one exposing for your subject. Then merge in post processing.
- Though the sun can be just about anywhere as you can see from these shots, the lower in the sky, the better. This is especially true if you want to get people in the shot. You can see in shots where it was high in the sky, it would be hard to include people in the shot.
- One really great way to get sunflare is to use a building or tree – let the light play off the edge.
- Shooting into the sun like this makes seeing your screen difficult. I strongly advise you not to look directly at the sun through your viewfinder. Ouch! After taking a few shots, turn the other way and check your images so you can see them better. See what needs to be altered with your settings.
- Use your lens hood. Using one will help cut down on haze (unless of course that is the look you are going for).
- Be creative and have fun. I personally love this look with architecture and environment. It works for portraits as well, but try not to overuse it. You can have too much of a good thing.
This shot is at the old train station in Detroit. As you can see, I shot it at an extreme angle to capture it. The sun was still very high in the sky. It was too high to use the edge. I deepened the sky and brightened the building using a combination of Lightroom and Photoshop.
Sunflare can even be accomplished with reflections of the sun. The sun was actually setting in the opposite direction, but its reflection was on the Renaissance Center. I was able to capture its reflection.
This shot was taken in Northern Michigan. If I had fill flash, it would have been achieved in camera. Instead this was accomplished more in Photoshop. I took two shots and combines the exposures so that one was exposed for sky and one for the subject. It is not quite perfect – but I still love it.
And lastly, this photo was taken as the sun was low in the sky in Arizona. The building helped capture this flare. The shot was totally unplanned. I happened to turn around and snap this shot of group of photographers – totally an accident. But as you can see, it was a really fun one.